Gauguin Where Do We Come From What Are We Where Are We Going

Gauguin Where Do We Come From What Are We Where Are We Going -Paul Gauguin (1848-1903) -Where do we come from? What are we? Where are we going? -1897 -Oil on Canvas, 5 feet by 12 feet -Museum of Fine Arts, Boston Where do we come from? What are we? Where are we going?, is the self-acclaimed masterpiece of Paul Gauguins’ career. It represents the culmination of his ideas and beliefs that he acquired throughout his life as a painter. Many visual characteristics of the painting, such as the color, line, and light are unrealistic in nature, but serve to emphasize the tropical surroundings in which Gauguin loved to paint. Although the organization of the characters in this lush jungle clearing seem random, Gauguin intended this work†¦show more content†¦The idol also represents a change in color tones from the rest of the painting. It has been painted in a light blue, similar to the coloring of background elements. According to Gauguin, this figure represents â€Å"the beyond,† which is emphasized by its close relationship in color to nature. (Museum of Fine Arts, Boston) Although the use of line and light is not as defined as the color scheme, they still play an important role in the overall organization of the painting. Gauguin uses curvilinear lines throughout this work with no right angles or sharp points. The outlines in the background are fairly blurry and some of the lines blend into one another. In contrast, the characters in the foreground are comprised of precise, sharp lines. Gauguin goes as far as lightly outlining the bodies with a dark line in order to give them a sense of depth. Light also serves to enhance certain aspects of the painting. Gauguin has been careful in his use of light to create some areas of brightness and some of darkness. The central figure glows in the bright light, which shines down on her from above. This light shows the importance of the decision of whether to pick the fruit or not. It is focused so directly on one area and is void in the others. The organization and relationships of the characters, animals, and background elements in Where do we come from? seem to be fairly unorganized and random, but Gauguin has placed them in this order consciously. The painting isShow MoreRelatedPaul Gauguin Where Do We Come From? What Are We? Where Are We Going?1454 Words   |  6 PagesWhere Do We Come From? What Are We? Where Are We Going? Paul Gauguin is known for being one of the worlds greatest painters, although he was not much appreciated at his time. His work seems to tell stories of his life. In his series of painting done in Tahiti, we can see the many wonders that Gauguin himself explored. Today Gauguins painting run for millions. For example; Paul Gauguins Maternite (II) done in 1899 was sold for $39.2 million. That wasnt the case back when Gauguin first startedRead More The Life of Paul Gauguin Essay1283 Words   |  6 PagesThe Life of Paul Gauguin Paul Gauguin was born in Paris on June 7th, 1848. His childhood was filled with radical beliefs and a libertarian lifestyle. In fact, his own father Clovis Gauguin was a republican journalist by trade, whose own writings were criticized for their radicalism and eventually forced the family into exile in 1849. With no stable source of income due to his father’s death, the family established residency in Peru, a decision made in accordance to his mother’sRead MoreJohn Berger Essay- Ways of Seeing1833 Words   |  8 PagesWhile in the Museum of Fine Arts in Boston, I traveled through the different galleries and their various cultures; discovering all sorts of arts from Contemporary art, to American art, Japanese art, and even the Egyptian art where I could appreciate the complexity of mummies. Throughout all these diverse cultures of art, I was questioning myself and started to wonder how I could understand art beyond others’ opinion about them. Moreover, I realized that it was a question John Berger, critic of artRead MoreAnalysis Of The Book Goodbye, Columbus 1586 Words   |  7 Pagestake to define one’s individuality or discover one’s life purpose. Superficially, the title is a reference to the ending lyrics of Ron’s senior yearbook album as well as the physical location of Ohio State University in which Ron Patimkin graduated from. With closer analysis, it becomes evident that the title extends to a much deeper meaning of the overall theme of self-examination and self-identity for the protagonist, Neil Klugman. The title, Goodbye, Columbus, primarily acts as an essential metaphorRead MoreMemo: Decorating the New Office Space With Artwork1091 Words   |  4 Pagesrenovation of our new office is complete, it is time to consider furnishing the new space with works of art that reflect the spirit of the company and the ethos we wish to communicate to new clients. When walking into our organizations headquarters, we want people to gain a sense of tranquility and confidence. No matter how stressed they might feel, we want them to know that the partners at our law firm can handle their concerns. An image of nurturing and competence is an ideal first scene for them toRead MoreVincent Van Gogh And His Life1901 Words   |  8 Pagesfactual evidence has come to light that it’s possible that he got into a fight with his mate Paul Gauguin and Gauguin who was an expert fencer might have sliced Venice’s ear. At the end of his life where he seemed to be depressed and there are some accounts about him being in corn fields and saying that he codnt take it and he couldn’t do it, it can’t be done, it impossible and then shoot himself in the stomach might also be a misrehension of some of the facts because some has come to light to see justRead MoreHuman Nature, Our Downfall1284 Words   |  6 Pagesproducts, we as members of our respective societies are always looking for better, faster and cheaper ways to sustain ourselves. Civilization requires three main ‘materials’ if you will; Politics – the role of the state and political organization, the spokesperson promoting the idea that might is right, Economics – the production, exchange and economic organization of society. The funds for the might, and Ideologies – the social constructs and prevalent ideas we have within society that we use to justifyRead MoreThe Happy Man1598 Words   |  7 PagesThe text which Im going to analyse is The happy man written by Somerset Maugham. He is a well-known English novelist, short-story writer, playwright and essayist. Maugham was the son of a British diplomat. He was educated at Kings School in Canterbury, studied painting in Paris, went to Heidelberg University in Germany and studied to be a doctor at St. Thomas Hospital in England. Although Somerset Maugham didnt denounce the contemporary social order, he was critical of the morals, the narrow-mindedness Read MoreEssay on Graphic Novels and Comic Books: Kent Williams1386 Words   |  6 Pageshigh art and graphical illustration. Regardless of the many artists that strive to redefine boundaries that are merely a price tag away from common ancestry. Unacceptable is the disregard by those who are in the know when they hold aloft two metric tonnes of polished grotesque above the increasingly popular and diverse graphic novel culture. Should we not afford all sides equal footing, and leave the interpretations and aesthetic complexities to be in the eyes of the beholder? Of courseRead MoreAnalysis Of Sherman Alexie s Indian Education 1330 Words   |  6 PagesProfessor Gardner English 52 31 August 2015 Unequal education. Everyone deserves an equal chance at education without being judged or discriminated against because of their race, background, beliefs, or anything looked at that makes them stand out from others. I was introduced to a short story called â€Å"Indian Education† by Sherman Alexie about a boy named Junior and the struggles he faced throughout school because he was Native American. I was also introduced to another short story called â€Å"Graduation†

Ad Analysis Gap Kids - 1048 Words

Ad Analysis Gender bias is extremely prevalent these days; from girls being obsessed with fashion, to boys only caring about sports, there is a huge gap in still rigid stereotypes. Society has worked to push into these ideals throughout their lives from childhood. It starts with pink for baby girls and blue for baby boys, and then escalates to the ideals of fashion for teenage girls and sports for teenage boys. Advertising has a very sizeable effect on these ideals and how they impact society. How effective these advertisements are tends to depend on the usage of ethos, pathos, and logos, the three persuasive techniques formulated by Aristotle. In one ad created by Gap Kids, there is a usage of gender stereotypes, persuasive techniques,†¦show more content†¦He is smiling, obviously happy and excited to be dressed in such wonderful clothes. The girl in her section of the advertisement is more statically posed, with arms at her sides and her face slack and lacking emotions. She is picture d in a sweater that is one basic color with a singular G on the front. Her pants are navy blue or black, and on her head she is wearing a pair of silver cat ears attached to a headband. The vast differences in the imagery of the models in the advertisement are generally quite subtle, but to the discerning eye, the differences can be picked apart and exposed as subtle nods to sexist stereotyping. https://pwc.pearsoncmg.com/pwc-ui/feedback.html?sids=urn:udson:pearson.com/xl/highered:user/39914078 1/3 11/16/2017 Pearson Writing Center - Student Content This ad relies primarily on pathos rather than logos and ethos. The text shown draws upon the emotional power of a parent wanting their children to succeed, but splits that want between the boy who is inherently a genius and the girl who is inherently a social butterfly. The added usage of two young children as models, the â€Å"warm and fuzzy (Media Literacy Project)† aspects, makes the advertisement more appealing to parents, si nce the children’s clothing company is interested in selling to the parents of young children. The appearance of happyShow MoreRelatedThe Science Of Shopping By Gladwells Article1235 Words   |  5 Pagestheir store seasonal or even monthly. It seems like they always change their style of display to bring a fresh look. In reference back to the article, Gladwell discovers that Underhill has counseled some of the most familiar names in retail such as GAP, Wal-Mart, Target, and many other elite shopping centers. Throughout the article, Gladwell also does a good job of breaking down Underhill s theory of shoppers. In Consequence, this article helps me cutback on my spending habits, while spreading theRead MoreEssay about Consumerism Causes Unhappiness852 Words   |  4 Pagesanyone with a TV, a car, or kids. 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Currently most school provides not even half of the necessary amount of fruit and vegetable and often more grains then necessaryRead MoreEssay on The Gap Inc.1798 Words   |  8 Pages1. Analysis of the companys history, development and growth Founded in 1969 by Donald Fisher and Doris Fisher, Gap Inc is largest clothing and accessories retailer in America. The clothing store began in San Francisco California, where the Fishers opened their first shop because they had been frustrated with the poor service and clothing styles offered at other retailers. 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The Return Shadow Souls Chapter 25 Free Essays

string(88) " of the woman who had lived a life of such subjection and horror since her early teens\." â€Å"Oh, I just want to take a little peek,† Bonnie moaned, looking at the forbidden sketchbook, the one in which Lady Ulma had drawn their high couture outfits for the first party, the one that would be held tonight. Beside it, just within reach, were some sample squares from bolts of fabric in shimmering satin, rippling silk, transparent muslin, and soft, rich velvet. â€Å"You’ll get to try it on for the last fitting in an hour – this time with your eyes open!† Elena laughed. We will write a custom essay sample on The Return: Shadow Souls Chapter 25 or any similar topic only for you Order Now â€Å"But we can’t forget that tonight isn’t playtime. We’ll have to dance some dances, of course – â€Å" â€Å"Of course!† Bonnie repeated ecstatically. â€Å"But our purpose there is to find the key. The first half of the double fox key. I just wish there was a star ball that showed the inside of tonight’s house.† â€Å"Well, we all know pretty much about it; we can talk about it and try to imagine it,† Meredith said. Elena, who had been fiddling with the star ball from the other house, now put the slightly cloudy orb down and said, â€Å"All right. Let’s brainstorm.† â€Å"May I storm, too?† a low, modulated voice asked from the doorway. The girls all turned, rising at the same time to greet a smiling Lady Ulma. Before taking a chair, she gave Elena a particularly heartfelt hug and kiss on the cheek and Elena couldn’t help herself from comparing the woman as they had seen her at Dr. Meggar’s to the elegant lady she was now. Then, she had been hardly more than skin over bones, with the eyes of a timid wild creature under great strain, wearing a common housecoat, with men’s bedroom slippers. Now, she reminded Elena of a Roman matron, with her face tranquil and beginning to fill out under a crown of glossy dark braids held back by jeweled combs. Her body was filling out, too, especially her belly, although she retained her natural grace as she took a seat on a velvet couch. She was wearing a saffron-colored gown of raw silk, with an underskirt of fringed and shimmering apricot. â€Å"We’re so excited about the fitting tonight,† Elena said, with a nod toward the sketchbook. â€Å"I am as excited as a child, myself,† Lady Ulma admitted. â€Å"I only wish I could do for you a tenth of what you have done for me.† â€Å"You have already,† Elena said. â€Å"And if we can find the fox keys – it will only be because you helped us so much. And that – I can’t tell you how much that means to me,† she finished almost in a whisper. â€Å"But you never thought I could help you when you defied the law for a ravaged slave. You simply wanted to save me – and you have suffered much for it,† Ulma responded quietly. Elena shifted uncomfortably. The cut running down her face had left only a thin white scar along the cheekbone. Once – when she had first returned to Earth from the afterlife – she would have been able to wave the scar away with a simple wash of Power. But now, although she could channel her Power through her body, and use it to enhance her senses, she couldn’t make it obey her will in any other way. And once, she thought, imagining the Elena who had stood in Robert E. Lee High School’s parking lot and drooled over a Porsche, she would have considered the marring of her face the greatest calamity of her life. But with all the accolades she had received, with Damon calling it her â€Å"white wound of honor,† and her certainty that it would mean as little to Stefan as a scar on his cheekbone would mean to her, she had found she just couldn’t take it very seriously. I am not the same person I once was, she thought. And I’m glad. â€Å"Never mind,† she said, ignoring the pain down her leg that still throbbed at times. â€Å"Let’s talk about the Silver Nightingale and her gala.† â€Å"Right,† Meredith said. â€Å"What do we know about her? How did the clue go again, Elena?† â€Å"Misao said, ‘If I said that one of the halves was inside the silver nightingale’s instrument, would that even give you an idea?’ – or something like that,† Elena repeated obediently. They all knew the words by heart but it was part of the ritual, every time they discussed it. â€Å"And the ‘Silver Nightingale’ is the nickname for Lady Fazina Darley and everyone in the Dark Dimension knows it!† cried Bonnie, clapping her small hands in sheer delight. â€Å"Indeed, that has long been her sobriquet, given to her when she first came here and began to sing and play on her harps strung with silver,† Lady Ulma put in gravely. â€Å"And harp strings need to be tuned, and they’re tuned with keys,† Bonnie continued excitedly. â€Å"Yes.† Meredith, in contrast, spoke slowly and thoughtfully. â€Å"But it’s not a harp-tuning key we’re looking for. They look like this.† She put down on a table beside her an object made of smooth pale maple that looked like a very short T or, if held on its side, like a gracefully waving tree with one short horizontal branch. â€Å"I got that from one of the minstrels Damon hired.† Bonnie eyed the tuning key loftily. â€Å"It might be a harp-tuning key we’re looking for,† she insisted. â€Å"It might be used for both things, somehow.† â€Å"I don’t see how,† Meredith said doggedly. â€Å"Unless somehow they change shape when the two halves come together.† â€Å"Oh, my, yes,† Lady Ulma said, as if Meredith had just made an obvious proposition. â€Å"If they are magical halves of a single key they will almost certainly change when the two halves come together.† â€Å"You see?† Bonnie said. â€Å"But if they can be any sort of shape, then how the hell will we even know when we’ve found them?† Elena asked impatiently. All she cared about was finding what it took to save Stefan. Lady Ulma fell silent, and Elena felt badly. She hated to use harsh language or even appear distressed in front of the woman who had lived a life of such subjection and horror since her early teens. You read "The Return: Shadow Souls Chapter 25" in category "Essay examples" Elena wanted Lady Ulma to feel safe, to be happy. â€Å"Anyway,† she said quickly, â€Å"we know one thing. It’s in the Silver Nightingale’s instrument. So whatever is inside Lady Fazina’s harp, that has to be it.† â€Å"Oh, but – † Lady Ulma began, and then she stopped herself almost before the words were out. â€Å"What is it?† Elena asked gently. â€Å"Oh, nothing at all,† Lady Ulma said hastily. â€Å"I mean, would you like to see your dresses now? This last fitting is really just to make sure every stitch is perfect.† â€Å"Oh, we’d love to!† Bonnie cried, at the same time making a dive for the sketchbook, while Meredith rung a bell pull that brought a servant hurrying in and hurrying away again to the sewing room. â€Å"I only wish Master Damon and Lord Sage had agreed to let me create something for them to wear,† Lady Ulma said mournfully to Elena. â€Å"Oh, Sage is not going. And I’m sure Damon wouldn’t have minded – as long as you designed him a black leather jacket, a black shirt, black jeans, and black boots all exactly like the ones he wears every day. He’d have been happy to wear it then.† Lady Ulma laughed. â€Å"I see. Well, there will be enough fantastical styles worn tonight that he may change his mind for the future. Now let’s draw the curtains on the windows all around. This gala is to be indoors, with gaslight only, so colors will show true.† â€Å"I wondered why it said ‘indoors’ on the invitations,† Bonnie said. â€Å"I thought maybe it was because of rain.† â€Å"It’s because of the sun,† Lady Ulma said soberly. â€Å"That hateful crimson light, changing every blue to purple, every yellow to brown. You see, no one would wear aqua or green to an outdoor soiree – no, not even you, with that strawberry hair that cries out for it.† â€Å"I get it. I can see how having that sun hanging there every day would really get you down after a while.† â€Å"I wonder if you can,† murmured Lady Ulma, and then she added hastily, â€Å"While we wait shall I show you what I have created for your tall friend who doubts me?† â€Å"Oh, please, yes!† Bonnie held out the sketchbook. Lady Ulma thumbed through it until she came to a page that seemed to please her. She took up pens and coloring pencils like a child eager to play with beloved toys again. â€Å"Here it is,† she said, using the colored pencils to add a line here and a curve there, but holding the book so that the three girls could see the design. â€Å"Oh, my God!† cried Bonnie in genuine astonishment, and even Elena felt her eyes widening. The girl in the sketch was definitely Meredith, with her hair half up and half down, but wearing a dress – such a dress! Black as ebony, strapless, it clung to the long slim figure perfectly sketched in the picture, emphasizing the curves, enhancing them on top by what Elena learned was called a â€Å"sweetheart† neckline: one that made Meredith’s front look like a Valentine’s Day heart. It kept close to the body all the way to the knees where it suddenly flared out again, dramatically wide. â€Å"A ‘mermaid’ dress,† Lady Ulma explained, satisfied with her sketch at last. â€Å"And here it is,† she added as several sewing women entered, reverently holding the miraculous gown between them. Now the girls could see that the material was of plush black velvet dotted with tiny rectangular metallic golden flecks. It looked like midnight back home, Elena thought, with a thousand falling stars in the sky. â€Å"And with it, you will wear these very large black onyx and gold earrings, these black onyx and gold combs to hold your hair up, and some lovely matching bracelets and rings Lucen has made just for this outfit,† Lady Ulma continued. Elena realized that sometime in the last minutes Lucen must have entered the room. She smiled at him, and then her eyes dropped to the three-tiered tray he held. On the top tray, against an ivory background, were two black onyx and diamond bracelets, as well as a ring with a diamond in it that almost made her swoon. Meredith was looking around the room as if she had stumbled into a private discussion and didn’t know how to get out. Then she looked from the dress to the jewels to Lady Ulma again. Meredith was not one to lose her composure easily. But after a moment she simply went to Lady Ulma and hugged her fiercely, then went to Lucen and very gently put her hand on his forearm. It was clear that she couldn’t speak. Bonnie was studying the sketch with the eyes of a connoisseur now. â€Å"Those matching bracelets were made just for this dress, weren’t they?† she said with a conspiratorial air. To Elena’s surprise Lady Ulma seemed uncomfortable. Then she spoke slowly. â€Å"The truth is†¦well, that Miss Meredith is†¦a slave. All slaves are required to wear some sort of symbolic bracelets when they travel outside their households.† She turned her eyes down to the polished wooden floorboards. Her cheeks were flushed. â€Å"Lady Ulma – oh, please, you can’t think it matters to us?† Lady Ulma’s eyes flashed as she looked up. â€Å"Not matter?† â€Å"Well,† Elena said hautily, â€Å"it doesn’t really matter†¦er, yet, because there’s nothing to do about it, not now.† Of course, the servants weren’t in on the secrets of the Damon-Elena-Meredith-Bonnie relationship. Even Lady Ulma didn’t see why Damon didn’t free the three girls just in case â€Å"something should happen, may the Celestial Guardians forbid it.† But the girls had formed a solid phalanx against it; it would be like jinxing their whole enterprise. â€Å"Well, anyway,† Bonnie was blathering, â€Å"I think the bracelets are beautiful. I mean she could hardly find anything more perfect for the dress, could she?† – striking at the professional sensibilities of the designer. Lucen smiled modestly and Lady Ulma gave him a loving glance. Meredith’s face was still glowing. â€Å"Lady Ulma, I don’t know how to thank you. I will wear this gown – and for tonight I will be someone I have never been before. Of course, you’ve drawn my hair up, or partly up. I don’t usually wear it that way,† Meredith finished weakly. â€Å"You will tonight – up and high over that lovely wide brow of yours. This dress is to show off the charming curves of your bare shoulders and arms. It’s a crime to cover them, day or night. And the hairstyle is to lay bare your exotic face instead of hiding it!† Lady Ulma said firmly. Good, Elena thought. They’ve gotten her off the subject of symbolic slavery. â€Å"You’ll wear a touch of makeup as well – pale gold on your lids, and kohl to enhance and lengthen your lashes. A touch of golden lipstick, but no rouge; I don’t believe in that for young girls. Your olive skin will complete the picture of a sultry maiden perfectly.† Meredith looked helplessly at Elena. â€Å"I don’t usually wear makeup either,† she said, but they both knew that she was beaten. Lady Ulma’s vision would come to life. â€Å"Don’t call it a mermaid dress; she’ll be a siren,† Bonnie said enthusiastically. â€Å"But we’d better put a spell on it to keep all the vampire sailors away.† To Elena’s surprise, Lady Ulma nodded solemnly. â€Å"My seamstress friend has sent a priestess today to bless all the garments and to keep you from being victimized by vampires, of course. If that meets with your approval?† She looked at Elena, who nodded. â€Å"As long as they don’t keep Damon out of the way,† she added jokingly, and felt time freeze as Meredith and Bonnie immediately turned their eyes on her, hoping to catch something in Elena’s expression that would give her away. But Elena kept her expression neutral, as Lady Ulma continued, â€Å"Naturally, the restrictions would not apply to your – to Master Damon.† â€Å"Naturally,† Elena said soberly. â€Å"And now for the smallest beauty to go to the gala,† Lady Ulma was saying to Bonnie, who bit her lip, blushing. â€Å"I have something very special for you. I don’t know how long I’ve been yearning to work with this material. I’ve trudged by it in a shop window year after year, just aching to buy it and create with it. You see?† And the next set of sewing women came forward, holding a smaller, lighter frock between them, while Lady Ulma held up a sketch. Elena was already staring in amazement. The material was glorious – incredible – but especially clever was how it had been put together. The fabric was vivid peacock green-blue, with the most amazing hand stitching to represent a pattern of peacock eyes flaring up from the waist. Bonnie’s brown eyes had widened again. â€Å"This is for me?† she breathed, almost afraid to touch the material. â€Å"Yes, and we’re going to slick that hair of yours back until you look as sophisticated as your friend. Go ahead and try it on. I think you’ll like the way this dress has come out.† Lucen had retired and Meredith was already being carefully encased in the mermaid dress. Bonnie happily began to strip. Lady Ulma turned out to have been right. Bonnie loved the way she looked that evening. Right now she was being given the finishing touches, such as a delicate spray of citrus and rosewater; a fragrance made just for her. She stood before a giant silvered-glass mirror, just minutes before they were due to start off for the gala given by Fazina, the Silver Nightingale herself. Bonnie turned a little, looking at the strapless, full-skirted dress in awe. Its bodice was made – or seemed to be made – entirely of the eyes of peacock feathers, arranged in a spray that was gathered together at her waist, showing off how tiny it was. There was another spray of larger feathers that pointed downward from the waist, front and back. The back actually had a small train of peacock feathers against emerald silk. In front, below the larger, downward pointing spray, a design worked in silver and gold, of stylized undulating plumes, all upside down, made its way to the bottom of the gown, which was edged with thin gold brocade. As if this were not enough, Lady Ulma had had a fan made with real peacock eyes set in an emerald jade handle, with a tassel of softly clinking jade, citrine, and emerald charms at the bottom. Around Bonnie’s throat was a matching necklace of jade, inlaid with emerald, sapphire, and lapis lazuli. And around each of her wrists were several emerald jade bracelets that clicked together whenever she moved, the symbol of her slavery. But Bonnie’s eyes could hardly linger on them, and she couldn’t summon up a proper hatred of the bracelets. She was thinking of how a special hairdresser had come to â€Å"slick back† Bonnie’s strawberry-colored curls until, darkened into true red, they were plastered flat against her skull and held in place with jade and emerald clips. Her heart-shaped face had never looked so mature, so sophisticated. To emerald eyelids and kohl-darkened eyes, Lady Ulma had added a vivid red lipstick and had for once broken her rule and cleverly, wielding the brush herself, had added touches here and there of blusher so that Bonnie’s translucent skin looked as if she were constantly coloring at some compliment. Delicately carved jade earrings with golden bells inside completed the ensemble, and Bonnie felt as if she were some Princess of the Ancient Orient. â€Å"It’s really some kind of miracle. Usually, I look like a pixie trying to dress up as a cheerleader or a flower girl,† she confided, kissing Lady Ulma again and again, delighted to find that the lipstick stayed on her lips instead of transferring to her benefactress’s cheeks. â€Å"But tonight I look like a young woman.† She would have kept on babbling, helpless to stop herself even though Lady Ulma already was trying to discreetly dab tears away from her eyes, except that at that moment Elena came in and she gasped. Elena’s dress had already been finished by the afternoon and so all Bonnie had seen of it was the sketch. But somehow that had failed to convey just what this dress would do for Elena. Bonnie had secretly wondered if Lady Ulma were leaving too much to Elena’s own natural beauty, and was hoping that Elena would be as excited about her own dress as everyone seemed to be about Bonnie’s and Meredith’s. Now Bonnie understood. â€Å"It is a called a goddess dress,† Lady Ulma explained to the stunned silence in the room, as Elena walked in, and Bonnie dizzily thought that if goddesses had ever lived up on Mount Olympus, they would certainly have wanted to dress this way. The trick of the dress lay in its very simplicity. It was made of milk-white silk, with a delicately pleated waist (Lady Ulma called the irregular tight pleating â€Å"ruching†) which held two simple bodice panels that formed a V-neckline, showing off Elena’s peach-blossom skin between them and behind them. These panels in turn were held at the shoulders by two carved clasps – gold inlaid with mother-of-pearl and diamonds. From the waist, the skirt fell straight in graceful, silken folds all the way to Elena’s delicate sandals – again designed in gold, mother-of-pearl and diamonds. In the back, the two panels that clasped at the shoulder became straps and crossed over to once again meet at the pleated waist. Such a simple dress, but so magnificent on the right girl. At Elena’s throat, an exquisitely designed golden and mother-of-pearl necklace in the stylized shape of a butterfly was inset with so many diamonds that it seemed to blaze with multicolored fire each time she moved and they caught the light. She wore this over the lapis and diamond pendant Stefan had given her, since she had flatly refused to take the pendant off. It didn’t matter. The butterfly covered the pendant completely. On each wrist Elena wore a wide bracelet of gold and mother-of-pearl inset with diamonds, creations that they had found in the secret jewel room, obviously made to go with the necklace. And that was all. Elena’s hair had been brushed and brushed and brushed until it formed a silky golden tumble of waves that hung below her shoulders in back, and she was wearing a touch of rose-colored lipstick. But her face, with its thick black eyelashes and lighter arched brows – and just now its look of excitement that parted her rose-colored lips and brought brilliant color to her cheeks – had been left entirely alone. Earrings that were just cascades of diamonds peeped through her gold tresses. She’s going to drive them crazy tonight, Bonnie thought, eyeing the daring dress with envy, but not with jealousy, instead rather reveling in the thought of the sensation Elena would make. She’s wearing the simplest gown of any of us, but she still completely puts Meredith and me in the shade. Yet Bonnie had never seen Meredith look better – or more exotic. She’d also never known what a stunning figure Meredith had, despite her friend’s wide assortment of designer clothes. Meredith shrugged when Bonnie told her this. She had a fan, too, black lacquer, that folded. Now she opened it and folded it shut again, tapping her chin thoughtfully. â€Å"We’re in the hands of a genius,† she said simply. â€Å"But we can’t forget what we’re really here for.† How to cite The Return: Shadow Souls Chapter 25, Essay examples

The Contributions of Immigrants to Singapore free essay sample

Singapore began to open itself up as a centre for entrepot trade. It began to import and export goods for different areas to different parts of the world. These immigrants also provided important support services such as workers in the dockyards, plantations, factories and some even provided daily necessities for traders all over the world. All these contributions of the immigrants helped to maintain Singapore as an attractive trading centre and kept it competitive. Without them, Singapore would not have grown so fast from a backwater island to a bustling island of trade and other commercial activities. Hence, the impact of the coming of the immigrants leading Singapore to a well-grown trading centre was the most important. However, besides the impact of growth of Singapore as a trading centre, there were other social impacts such as acts of philanthropy by rich businessmen. These businessmen from different ethnic groups saw the need to contribute to the well-being of the society and started kind acts such as building schools, hospitals and places of worship for their fellow countrymen. We will write a custom essay sample on The Contributions of Immigrants to Singapore or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page An example would be Tan Tock Seng. Such acts were important as they made lives of the immigrants more bearable and ensured that these immigrants were well taken care off so that they could continue to contribute to Singapore growth. All in all, the most important impact of the coming of the immigrants was the growth of Singapore as a trading centre as it is due to their hard work that Singapore could continue to grow and this would benefit everyone. As for the acts of the philanthropists, some of these acts were given to specific ethnic groups only, hence the impact is not as great as the first.

Eisenhower Kennedy Essay Example

Eisenhower Kennedy Essay In January 1961, Dwight Eisenhowers presidency was coming to an end, and the nation was preparing for the new administration of John Kennedy. Within a week of each other, the two men both made addresses to the nation Eisenhower made a farewell speech and Kennedy delivered his inaugural address. There were significant similarities and differences in the speeches. While both men understood that the Cold War would be a national priority for the foreseeable future, they also saw the risks posed by a global military buildup albeit from different perspectives. Finally, Eisenhower focused some of his address on domestic issues, while Kennedy spent his entire address talking in more global terms. One area of similarity between the Eisenhower and Kennedy addresses is that both men recognized the lasting threats posed by the Cold War, although neither man directly referenced the Soviet Union. Eisenhower, as a general and then president, saw the Iron Curtain descend across Europe and how th e Soviet influence was spreading around the globe. This was an active and volatile situation inherited by Kennedy, and both Eisenhower and Kennedy made it clear in their addresses that they expected the conflict to be a dominating presence during Kennedys pending presidency and beyond. Looking forward, Eisenhower reflected that the achievement of Americas noble goals was being persistently threatened by the conflict now engulfing the world. If there was any doubt that Eisenhower was talking about the spread of communism, he erased that by describing the hostile ideology as atheistic in character, which is a key tenet of communism. Eisenhower warned that America was going to have to confront the threat for years, even going so far as to say it promises to be of indefinite duration. He was girding America for a protracted struggle, a strategy that was also used by

College Decision Day How To Notify Colleges

College Decision Day How To Notify Colleges SAT / ACT Prep Online Guides and Tips If you’ve applied to colleges, received acceptances, and selected the college you want to attend, then congratulations! You’ve done considerable work and made it through the college application and selection process. With May 1, also known as College Decision Day, just around the corner, how do you notify the college you’ve selected that you’ll be attending? How do you let the other colleges that admitted you know that you won’t? Do you even have to let them know? In this article, I’ll explain how to accept an offer of admission and why it’s important to notify the colleges you won’t be attending of your decision. How to Accept an Offer of Admission The process to accept an offer of admission can vary for each college. On your acceptance notice, there should be explicit instructions of what you need to do to accept the offer. Also, you may be able to find information on the college’s website about how to accept your offer of admission.Look under â€Å"admissions† to find any relevant information.For example, here’s the information for Stanford and Penn State. And here’s how you accept an offer of admission fromUCLA. Typically, everything can be done online and it’s a relatively simple process.If you have any questions, call the admissions office. The admissions representatives should be more than happy to help you, especially because you're a future student. Most schools will require you to submit a deposit when you accept your offer of admission.The deposit ranges from about $50-$500.If you receive financial aid, you may have a portion of your deposit or your entire deposit waived. If you’re unable to afford the deposit, contact the admissions office to see if they can make any accommodations for you.The deposit is generally non-refundable. If you apply under regular decision, most colleges will give you until May 1, commonly referredto as College Decision Day, to make your decision.If you’re accepted after May 1, then you’ll probably only be given a few days to a few weeks to make your decision. Submit all necessary deposits and forms before the deadline. Why Should You Notify Schools That You’re Declining Their Offer of Admission? Colleges like to know whether or not you’re attending so they can fill the available spots in the class.If you’re not attending, they may be able to offer your spot to somebody who is on the waitlist. However, colleges don’t anticipate that everyone who is accepted will attend; they admit more students than there are available spaces. Therefore, just because you decline an offer of admission doesn’t mean that somebody else will be admitted off the waitlist. Also, it’s common courtesy to notify colleges that you’re declining their offer, especially because members of the admissions committee took the time to look through your application and decided to accept you. If you don’t notify a school that accepts you that you’re not attending, that would be like if a school that rejected you didn’t inform you that you had been rejected. Furthermore, colleges may want to know which college you decided to attend. Colleges often keep statistics on schools that students will attend over theirs. They want to remain competitive with these schools, so this information can help them make positive changes to increase their yield, which is the percentage of accepted students who choose to attend. If you want to know how to decline an offer of admission, colleges will often give you instructions on how to notify them that you won’t be attending in their acceptance letters or on their websites.For many schools, you can view your application status online, and if you’re accepted, you can simply select whether you’ll be accepting or declining an offer of admission. If there’s no specific online form or instructions to let a school know that you’re declining an offer of admission, you can email the admissions office, or you can go old-school and send a letter to the admissions office. Recap Look at your acceptance notice for information about what to do next if you’re accepting an offer of admission. If you’re confused or have any questions, contact the admissions office. Make sure to make your decision and submit any necessary forms and deposits by the deadline. For most of you, thedeadline will be College Decision Day, May 1. If you’re declining an offer of admission, let the college know. What's Next? If you're just starting the college application process, learn how to apply to college. If you're deciding which college to go to, check out this post on how to choose a college. Finally, make sure you're researching colleges to ensure that you end up at the college that's best for you. Want to improve your SAT score by 160 points or your ACT score by 4 points?We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:

Risk Protection Measures for the Bank Essay Example | Topics and Well Written Essays - 1500 words

Risk Protection Measures for the Bank - Essay Example Bank A may have the option to propose an early termination date in order to avoid further losses (FN3). However the contract between the two banks should make provision for such losses and one of the best options open to Bank A is to enter into an ISDA Agreement. An ISDA Agreement allows a bank to operate in financial markets while conforming to strict regulations. The EU Directive 2001/24/EC dated 4 April 2001 has laid out specific guidelines on the winding up of credit institutions and will apply to both bank A and Bank A who are in Europe. (a) Article 25 specifically clarifies that netting agreements will be solely governed by the nature of the agreement that exists between the two parties – Bank A and B. Therefore, Bank A can cope with the risks by introducing appropriate clauses into the Schedule to the ISDA agreement. If Bank A has any intimation of the potential winding up of Bank B and then enters into any financial arrangements with them, recoveries will be limited, despite any risks. However, if at the time of entering the agreement, Bank A is not aware of any winding up, then financial obligations due to it from Bank B may be secured through the means outlined below. Derivatives are financial instruments that are used for financial speculation and their fluctuating value is caused by volatility in the financial markets1. Counterparties enter into derivatives for purposes of hedging and arbitrage to be derived in financial transactions through the management of asset liabilities2. Contractual provisions under ISDA Agreements include a Master Agreement which is standard all contracting organizations and an attached Schedule may be tailored according to the requirements of the two parties. Therefore, Bank A can tailor the Schedule by including a clause that will also regulate oral trading arrangements of the two parties.